Wanderer of the Underworld.



Photo by me. Others available on my Flickr page. http://www.flickr.com/photos/25812594@N06/sets/72157632449563618/



This isn't a music review site.  Mostly, it is a place where I gripe about stuff that gets on my nerves.  Occasionally, I will stumble onto something that makes me happy that I want to share with people.  Having been raised in the 1960s and schooled on music in the 1970s, I trust my instincts, and you should, too.  So, here goes.

Through an interesting chain of events, I became acquainted with a guitarist named Chris Baker.  He had been playing with some mutual friends in bands and jam sessions.  Through Chris, the magic of the Internet and its marketing appeal, I found Amenti Rover.

For an old music-head like myself, it's refreshing to hear young people (real young people, not young people who I consider young) who get ... really GET music, and what emotion, drive and spirit are about when it comes to what I consider music.  Not auto-tune junk or stage antics.  Real music.  Maybe I'm jaded? Or maybe I just know what good music is.  Yeah, that's it.

Chris was kind enough to send me the five tracks from their debut EP, which should be available soon.  For now, you can download the first track from their web site, or at the bandcamp site, here.  As for the others, they have my highest endorsement.  It's great music, played with passion, fun, and love.

"Jezebel" puts me to mind of some of Leslie West's Mountain and the passion that his band had, complete with drive of its main riff and the drops in the chords of the chorus.  Crank it up and disturb your neighbors.  Oh, and go to the site I linked you to and download it.

"Girls of the City" is a fun, blues-influenced rocker whose energy you can pick up from the beginning.  Josh and Lake's driving rhythm section carry another great riff, and Jarrett's vocals let us know how much fun a nice little rock song can be.

"Tired of It" is one of the highlights of their live shows.  The thing about most studio recordings is that they fail to convey the energy of the live performance.  In fact, if I were King of the World, most bands would have their debut CDs recorded at a live show, but I digress.  This song (and the others, in fact) prove that it is possible to convey the energy of a live performance to a studio. It is crisp, powerful and energetic.  All that stuff that's so important to me - and should be important to you, too.

"Changing Sun" is the real throwback tune for me.  It's reminiscent of a time when music was thoughtful.  Not only is it a fantastic song, but, true to its name, it is a changing Sun, with several time-signature and mood shifts, from a happy 6/8, slowing to a more 3/4 feel and finally to a quick 4/4.  It keeps the listener actively engaged - and I do love to be actively engaged.  There is a point (near the end) at which it could become a self-indulgent guitar solo, but they leave us with just enough to make us want to hear it live, where maybe it will realize that end ... just for a little while, at least. (C'mon, Chris)

"Satan Woman" is another highlight of their shows.  It starts off in your face, and doesn't let up.  This tune has all the big-production sound you'd hear from any (egad) mainstream rock tune, yet you don't lose the energy of the live performance.  Have I said how much I value that?

I'm not a professional music reviewer, and I have difficulty transferring my feelings for emotive music to the written word.  I don't have the flowery language that accompanies most reviews ... but, trust me on this  ... this is good.  Do I need to be more descriptive?
Seek-out good music and you will find happiness.  As good as these songs are, there are many others that they did not record that you should hear.

And you can hear them ...

January 3 at The Legendary Dobbs in Philadelphia

January 18 at Hebe Music in Mt. Holly, NJ

Amenti Rover

~ Wanderer of the underworld ~

Jarrett Mead - Voice
Chris Baker - Guitar
Lake Muir - Bass
Josh Merhar - Drums